rydra_wong: The display board of a train reads "this train is fucked". (this train is fucked)
[personal profile] rydra_wong
In case anyone's got some spare cash they found down the back of the sofa:

The National Immigration Law Center have donation-matching up to $100,000 to help them create a Rapid Response Fund:

Donate to NILC

Planned Parenthood Action have donation-matching up to $350,000:

Donate to PP

The Climate Science Legal Defence Fund have matching up to $50,000:

Donate to the CSLDF

The National Network of Abortion Funds have matching up to $50,000, and their solicitation e-mail ends "Let’s fund abortion, build power, and radically love each other," bless them (they're also the only organization I've encountered where a staff member has their preferred pronouns in their sig, which makes me feel warm and fuzzy):

Donate to the NNAF

If you know of others, please comment!

(X-posted to [community profile] thisfinecrew.)

Ficlet: First Steps (Raven Cycle)

Jun. 27th, 2017 09:06 pm
flamebyrd: (full moon)
[personal profile] flamebyrd
My word processor of choice, FocusWriter, reopens with all the documents I had open last time I closed it, which occasionally leads to me discovering things I have no memory of writing.

Most recently, I found one scene and about 6 disconnected lines from a Raven Cycle fic idea I'd noted down after listening to books 1-3 on audio book a few weeks back. The scene was 218 words, so I hacked out 18 of them and posted it as a double drabble.

First Steps (200 words) by Flamebyrd
Chapters: 1/1
Fandom: Raven Cycle - Maggie Stiefvater
Rating: General Audiences
Warnings: No Archive Warnings Apply
Relationships: Noah Czerny & Richard Gansey III
Characters: Noah Czerny, Richard Gansey III, Ronan Lynch
Additional Tags: Sadness, Ghosts, Double Drabble, Pre-Canon
Summary: Noah becomes Richard Gansey III's friend outside the gates of Aglionby on an otherwise unremarkable afternoon.

Munich Film Festival II

Jun. 27th, 2017 11:28 am
selenak: (Orson Welles by Moonxpoints5)
[personal profile] selenak
The Infiltrator was part of the Bryan Cranston retrospective and basically came across as a well-made routine thriller without anything being either bad or having anything innovative going for it. I.e. if you've watched thrillers about undercover cops working to bring a drug cartel down, you can predict all of the story beats. (Other than one spoilerly bit ).) It's entertaining and does what it sets out to do, and needless to say Cranston is reliably good in the part, but I wouldn't say it's a must.

City of Ghosts, otoh, was a fantastic documentary, directed by Matthew Heineman, about the citizen journalist group Raqqa is being slaughtered silently (RBBS). Before I watched it, I was unfamiliar with the phrase "citizen journalist" , but it's really a perfect description, because before the IS came to Raqqa, only one of them was a journalist, the rest had professions like high school math teacher or engineer. Nonetheless, they took incredible risks getting out photos and film evidence of the atrocities the so called Islamic State visited - and still visits upon their city. The surviving founders of the group had to flee but they still have some members in Raqqa, trying their best to continue getting material out. I'm always hesitant to use the phrase "real life heroes", but these people are truly heroic, and one thing that galls me especially is that when they've made it alive to Germany and safety, they promptly run into one anti-refugees march by the godawful AFD in Berlin.

The documentary starts during the "Arab Spring" in 2012, for which the Assad Regime going after Raqqa school children was one of the local triggers, and ends last year. We follow the core group of RBBS; Heineman is an invisible presence, he lets them narrate their stories, and when there's background information/exposition, such the way the IS uses the media for recruitment changed radically from the very early static speech videos to the Hollywood style big production videos that came into use after the fall of Raqqa, the activists are doing the explaining (subtitled, for the most part, everyone talks in Arabic) while the audience sees excerpts of the videos in question. BTW, I'd never seen an IS recruitment video before, and I have to say, the exact copying of action movie gimmicks and aesthetics (complete with following-the-bullet shots, soundtrack, etc.) is nearly as unsettling as the content. It's not much of a comfort that RBBS was able to puncture the IS self image enough by getting videos and photos showing the true state of Raqqa out to counteract the IS claims about it that the IS forbade any satelites in Raqqa and ordered the inhabitants to publically destroy theirs, so they regain control of the imagery. But it's something.

If the excerpts from the IS videos go for action movie gloss on violence, the mobile phone camera made videos of the RBBS are shaky, abruptly cut off, full of (inevitably) strange angles - and shocking in quite a different way. For example, the first time we see executions, the abrupt deaths and the already dead bodies lying around are bad enough, but without either the camera or any narrator pointing this out, what is as gruesome is what you see in the background. Yes, these are heads on pikes on what used to be the town square, not cheap movie props in the latest zombie splatter, but real human heads.

There's a lot of survivors guilt among the activists; one of them had to watch his father being executed in punishment, all of them are directly threatened by the IS who calls for their deaths, one lost his brother who was among the refugees who drowned in the Mediterranean, and when he talks about his dead brother, he says he still sends him messages per Facebook (as the account hasn't been taken down). "I am broken, my brother. Broken." And yet, and yet, they still continue to risk their lives. There's also a lot of comraderie we see, being physically comfortable with each other, and the rare moment of pure joy, such as everyone having a snowball fight in Berlin. You feel for them, and admire them - and hope the movie will be seen by as many people as possible. Maybe it will remind them that 95% of the victims of IS terrorism are Muslims - and said victims won't, shan't be silenced, are doing their best to fight back.

L'Intrusa, directed by Leonardo di Costanzo, is, like The Infiltrator, "based on a true story", with organized crime in the background, but the contrast couldn't be greater. While delivering a tight narration, there's nothing routine or slick about this movie, which is set in Naples and manages to avoid every single cliché. The fact you don't see the Vesuvio or the bay anywhere is just one of them; L'Intrusa is set in one of the poor quarters. The central characteris Giovanna, who has organized a miixture of daycare centre and social centre for kids and teenagers to offer them a life off the streets. When the film starts, the centre is well established and has been running for years, has been embraced by the neighborhood - but then something happens that puts Giovanna in an unsolvable dilemma. One of the small to mid level gangster's wives - Maria - and her two children have come to the centre, claiming refuge. Giovanna, Maria's daughter Rita and Maria are the three main characters; the supporting cast is also individualized, from Giovanna's right hand woman Sabina to the widow of a man Maria's husband has shot to the little daughter whose father was beaten to a pulp by Maria's husband right in front of her.

L'Intrusa never shows on screen violence. It doesn't show the Camorra doing what the Camorra does, but the after effects are present everywhere. This was a deliberate choice by the director, who in the Q & A said that if you depict Mafiosi "from the front", i.e. put them in the centre of the narration, even if you position them as villains, you end up making them in some ways sympathetic or even glorify them. "So, in my films, I only come at them sideways" - i.e. they're not there on screen, but there's no mistaking the terribile effect they have. Now, the centre is a film full of life and joy, with a community acting together, and it's rare and very attractive to see that. But it's not utopia, and in fact the need for it directly grows out of the unseen horrors around it. Not surprisingly, more and more parents object to Maria's presence. Giovanna gets accused of prioritizing the perpretators over their victims. The aunt of the little girl who has seen her father beaten into a pulp demands to know how she should justify to her sister letting her niece interact, let alone play with Rita, what that would do to her niece. Things come to a head when Rita and some of the kids argue, a normal kids' argument, with the parents drawn into, but Maria isn't just any parent, and so when she says "if you touch my daughter again etc.", the awareness that this is the wife of someone who casually kills people, even if he's currently arrested and hopefully won't get out of prison any time soon, makes this a direct threat to the other kids.

Otoh, Giovanna's argument is: if you ever want to break the cycle of violence, you need to make sure that the Marias of the world don't raise their children to follow their fathers' footsteps. That these children learn other values, learn something different. If she turns these children away from the centre, this will not happen.

As I said: it's an unsolvable dilemma, and the movie doesn't simplify it. It even adds to the stakes because Maria at first comes across as arrogant and rude (it's not until well into the film when you see her alone that you realise she's shattered and scared as well). Not to mention that she starts out by deceiving Giovanna, and there's early on not much to justify Giovanna's hope that Maria actually wants a change for herself and her children - nothing but the fact Maria is here instead of being with her rich sister-in-law, who in the movie shows up twice in a big car to retrieve Maria, in vain, and evidently lives the well funded Mafia spouse life. Basically: you understand where everyone is coming from.

Something else I learned in the Q & A was that most of the actors were lay actors, actual Neapolitans whose main job is in social service (though no one played themselves), with Giovanna being played by a woman who is a dancer and dance choreographer. "Because Giovanna doesn't say much, she's so stoic, she expresses herself through her body language," said the director, "I wanted someone who could do that, that's why I picked Raffaela Giordano." Who indeed is able to express much by the way she looks at people, by her movements, and who looks like she's closer to 50 than to 40. Everyone looks "normal", i.e. like people you could meet on the streets, not like well styled actors with a daily workout. But none act amateurishly in the sense that you're taken outside the story or feel they're talking stiltedly; given Rita and the other children are a big part of the story, that's especially amazing.

Favourite detail: one of the projects the kids in the centre work on, and the one Rita falls in love with and participates with, is building a robot they name "Mr. Jones" out of old bicycle parts. You can bet that in most other movies, Rita and her baby brother would have changed placed in age and it would have been a little boy fascinated with the robot.

In conclusion: probably my favourite movie so far, and highly reccomended

It's just a mountain, I can move it

Jun. 26th, 2017 06:12 pm
musesfool: art deco brandy ad (been drinking since half-past three)
[personal profile] musesfool
I was completely useless last night after several hours of day drinking. it was a lot of fun, but oy the headache that hit around 7 pm! Even though we definitely hydrated.

Now I have version 3 of some sort of bug bite balm cooling on the counter - it uses coconut oil, which I don't really like the smell of, so hopefully the tea tree oil, peppermint, lemongrass, and lavender essential oils will cover that up. Though I would bear the smell if it meant the itching stopped.

I know I said I was done with trying to make anti-itch cream - hot water, ice, and rubbing alcohol in conjunction with benadryl and zyrtec seem to work best, tbh - but I figured third time's the charm? And I had all the ingredients so...I guess we'll see. Or maybe I am just super itchy, since i am super allergic to bites and swell up and get all welty.

I guess that's all the exciting news from here.

***
rydra_wong: The display board of a train reads "this train is fucked". (this train is fucked)
[personal profile] rydra_wong
[tumblr.com profile] sashayed: It’s Not That Bad to F— Up While Calling Your Senator About Something Important

To prove this point, she presents actual transcripts of messages she left on her senators' voicemail, with her reaction gifs.

Sample:

Hi, uh, Sen. [Name]. And staff. [Nervous laughter.] My name is [Rave Sashayed] and I’m a constituent from [place where I vote]. I just wanted to call to thank you for standing up against the AHCA in the Senate. I–it’s an incredibly cruel and stupid and – and vicious bill. You know? And I’m not, like – a person who used to call her Senators all the time! know? I’m, like, a normal person! [Nervous laughter] But this – it’s crazy to me that this bill could become legislation. It directly affects me, it directly affects the people I love. I mean, it kicks millions of people off of Medicare for a tax break for – I mean. You know this. You’re. Uh. A Senator. So. You’ve read the bill. Um.

I would like to remind people that I phoned my MP's office and actually stated (completely incorrectly and randomly) that I lived in a place which said MP does not represent, had this pointed out to me and had to correct myself. AND YET (like Sashayed) I LIVE.

Right now, it looks like the Senate is wavering. Republican Senators are saying they "just don't know" if they've got the votes to pass the AHCA.

If you can't do phoning, you can't do phoning (I am sometimes a person who can't do phoning). But if you can, now's the time. IT IS OKAY TO PHONE AND FUCK IT UP. As long as you can communicate that you are opposed to the AHCA, that's enough.

Also, have some MOTHERFUCKING ICONS (photos of the ADAPT protestors being arrested during their protest at Mitch McConnell's office).

Orphan Black 5.03

Jun. 26th, 2017 07:58 am
selenak: (Allison by Spankulert)
[personal profile] selenak
And my show love is back! Woo hoo! That was a fantastic episode.

Read more... )

All we do is fade away

Jun. 25th, 2017 12:07 pm
gwyn: (8ball wizzicons)
[personal profile] gwyn
[personal profile] goss has created a cool new community for fan artists called Drawesome. If you're an artist or just interested, go check it out. I keep thinking about trying to learn to draw--I'm completely wihtout talent, I can't even draw stick figures, and I really don't know how to even go about it, but I'm surrounded by artists and they're always grousing at me that anyone can learn, you don't have to be born with talent. I don't believe this, but I still want to learn, at some point.

Drawesome on DW
[community profile] drawesome: A Drawing Community for Fan-Artists



___

I haven't been making this public much yet, but I feel like I have to, just so everyone knows what's going on. They found a cancerous tumor during the colonoscopy Thursday, so…yeah. Guess who has cancer. Did you guess me? You're correct!

It's weird, I've been expecting this for years, but not this one: I figured it'd be melanoma or the thing that killed my twin sister, ovarian cancer. This one is my ultimate nightmare--I'm phobic as hell about bodily functions, and there's so much awful stuff that results from colon cancer that I'm completely freaked out about.

I don't see the surgeon till Thursday so right now I don't know much. I had a CT scan yesterday to see if there's more cancer anywhere else and additional bloodwork, and then I had to put on my everything's normal face and go do a guest lecture at the UW. This one woman waited till I was saying thanks goodbye to pop up with a question, and to say she had resting bitch murderface is to put it mildly; I wouldn't be surprised if her whole family was axed to death and they're buried in her basement. And she asked this totally angry, pissed off question and I just didn't have spoons to answer so I was like a deer in the headlights.

Anyway, my biggest fear is that this means I can't go to Vividcon. Like, I care way less about my life, especially these days, and am totally willing to wait till after so I can go. I have a feeling they will not like this. But it's the one thing keeping me together. Not to mention very expensive nonrefundable tickets. The doctor kept stressing how early they'd found it and how good that was. But he also smiled when he said I might have cancer so who knows what's going on with him. Oh and also I got notice that the insurance I have through the ACA is going away next year--the only reason I was able to afford the colonoscopy was that this insurance was really good, and the only other decent one doesn't work with my doctor and clinic. So even if the fucking republicans take everything away in two years, I'm out for 2018 just when I need it most. (And they're such fucking liars, they blame this on market volatility and say it was such a hard decision…no, it's not, you just want more money lining your bonus pockets.)

I'm turning off comments, even though yes, I am really sad and depressed and feeling very lonely. My family's all gone, and most everyone lives far from me or useless (like, I love my BFF, but he's useless) so it's a lot to expect of people. It's been hard just doing day to day stuff like I'm fine. But I have a lot of this in my future so I have to get used to it. I hate the not knowing the most, though.

This week in writing, 6/25

Jun. 25th, 2017 06:23 pm
dira: Bucky Barnes/The Winter Soldier (Default)
[personal profile] dira
Not a particularly epic word count, but !!!!!

WIPs currently active: 4, because I finished Slavefic #5!!!

Words written this week: 7,711 

WIPs that got no words this week: 3 - broken dick epic, Born in the Blood, sequel to “Ring the Bell Backward", for the second week in a row. RELENTLESS FOCUS ON STUFF THAT NEEDS TO GET FINISHED. (But I am def gonna finish my RBB fic TODAY, so this coming week will involve blowing the dust off these and getting back to work and DEFINITELY NOT STARTING ANYTHING NEW YET UNLESS I REALLY REALLY WANT TO REALLY BADLY. ahem.)

WIPs that did get words this week:

Slavefic #5 (THE DRAMATIC REUNION): 3,267, and DONE!!! Just waiting for beta and propitious timing to post–should be all out by July 4th!!! :D

Dragon!Bucky/Tribute!Steve Cap Reverse Big Bang Story: 4,444, and FINISHING TODAY I MEAN IT! Posting date is June 30th!!!!

from Tumblr http://ift.tt/2u3R00f
via IFTTT
musesfool: head!Six (and they have a plan)
[personal profile] musesfool
I went to bed last night around 1 am but couldn't sleep so I ended up getting up and writing about 2000 words of a sequel to Just a Little Bit of History Repeating. I am sure it's not the epic sequel some of the commenters asked me for, but it's the emotional conversations I am interested in. It's also multiple POV, which I generally don't like to do, but in order to capture everybody's !!!! responses, it seems like the way to go. I haven't reread what I wrote yet, though, so hopefully it makes sense. *snerk*

I finally took a benadryl at around 3 am and slept until 8:45 so I guess I'll call it a win. Then I stayed in bed and finally read 84, Charing Cross Road, which [personal profile] innie_darling lent me the other night as it doesn't come in an ebook yet. What a darling little book! I highly recommend it.

And I just finished watching this week's Orphan Black: Beneath Her Heart. Alison once again proves she's the stealth MVP of clone club, and also who knew it would ever be possible to love Donnie so much? What a great episode!

spoilers )

Now I am getting ready to meet L. for boozy brunch so I hope you all have a lovely Sunday.

***

Munich Film Festival I

Jun. 25th, 2017 10:53 am
selenak: (Breaking Bad by Wicked Signs)
[personal profile] selenak
Aka what consumes my days these days, as every year around this time. Of course, every year doesn't have Bryan Cranston as one of the guests of honor, so there was this additional perk.:) (Here's an article about the award ceremony he was there for.)


 photo 2017_0623Filmfest0003_zpsgy9vaotd.jpg

(Question: is the young man in one of the photos a fan is holding out to be signed truly Cranston some decades ago? Yikes, I wouldn't have recognized him.)


The director of Wakefield, one of his movies which are shown this year in honor of him (and yes, of course several Breaking Bad episodes are s hown as well), Robin Swicord, joked that both she and Cranston have German grandparents, and: "I don't know why they left, but you know, I think the fun is over. Might be a good idea to come back now, and I think you all know why. So thank you for welcoming political refugees." Former opera director Sir Peter Jonas outed himself as a Breaking Bad fan, complete with Heisenberg t-shirt, and held a speech praising the glories of narrative arc driven television. My only irritation with that one wasn't the series he singled out (other than BB) for being exceptionally good at this - The Sopranos, Oz, The West Wing and The Good Wife - , but the one he didn't mention. Babylon 5 still doesn't get as much credit in breaking ground with its narrative arc tellng format as it deserves.

Anyway, Bryan Cranston's own speech was lovely, mostly about the way being a storyteller is the best vocation (I agree), with both wry humor and sincerity. After the ceremony, Wakefield was shown, but due to an unshakeable real life obligation, I could only watch the first hour. Mind you, I had mixed feelings anyway. Because I could see why Cranston was cast (excelling as he does in playing dislikeable characters whose pettiness isn't air brushed away who are still interesting to watch) , and I enjoyed seeing Jennifer Garner again (playing his wife), and found the concept something of a suburban Hitchcock satire without crime (Howard Wakefield, lawyer, due some circumstances ends up disappearing into his own attic, watching his wife and family carry on without him with the bickering zest of a true voyeur while literally reduced to eating garbage) in a clever way, it still made my skin crawl. Because in the hour I watched, most of Howard Wakefield's voyeurism and assholery was directed against his wife, and while I knew the narrative was absolutely on the same page with me here, it still felt very disturbing to watch, and so it didn't exactly break my heart that I had to leave early. (Otoh I missed the Q & A with Cranston afterwards that way, alas.)

On to movies I could watch completely:

La Familia, a movie from Venezuela, directed by Gustavo Rondón Cordóva, currently stuck in Caracas and thus unable to make it to the festival, though he might make it to the Latin American directors general Q & A on Monday. This was a taut, intense story starting in the poorest quarters of Caracas. Our two main characters are Pedro, a twelve years old boy, and his father Andres, who works several jobs at once to make ends meet and thus hardly sees him. The introduction sequence has Pedro (Reggie Reyes) playing with some other children, and the playing has that edge of violence, those moments when shoving at each other suddenly threatens to become more, which has you sit up already. And sure enough, various scenes later, which establish Pedro's day with best friend Jonny and minus his father (who sleeps like a stone on those rare occasions when he's home), violence does explode, as a child threatens Pedro and Jonny with a gun and Pedro ends up seriously hurting the other child. His father Andres understands the implication at once because the child in question has revenge hungry people, and goes on a run with his estranged son, which is the plot line for the rest of the movie. "Going on a run", however, doesn't mean what it might were this a US film, because Andres still needs that money for Pedro and himself to survive, so he takes Pedro with him to his various jobs on the other ends of the city - they just don't go back to their own quarter, though Pedro urgently wants to because he's worried for Jonny, which makes for a big confllct with his father.

This is a movie which trusts its actors (Giovanni García plays Andres), because the dialogue is terse and rare, and you experience the shifting father and son relationship mostly through physical interaction, looks, gestures. Andres doesn' have a "killing is bad" conversation with his son, or a "how do you feel about what happened?" conversation - that's just not how they interact. And yet you can watch them becoming closer throughout the film, and at the end they truly understand each other, and even in their desperate situation have some hope for the future.


Clair Obscur, a Turkish-German-French-Polish coproduction (yes, these do exist) directed by Yesim Ustaouglu. With a female Turkish director and two female main characters, this movie explores, among other things, various ways of what it means to be a woman in Turkey. Our two heroines live completely different existences - Shendaz is a psychiatrist with a seemingly good relationship with her boyfriend, living in very well off circumstances at the Meditterranean coast, while Elmas is still a teenager imprisoned in a marriage to a much older man who revolts her, serving him and his mother in their small flat in a skyscraper. The two storylines eventually connect when due to various spoilery circumstances Shendaz becomes Elmas' therapist; by that time, the cracks in Shenaz' own life have been revealed, but refreshingly for therapists who tend to be either demonic or incompetent when presented in a fictional story, she's still able to truly help Elmas (especially once she figures out how young Elmas really is), and eventually finds away to escape the mess in her own life as well.

The director and several of the actors were there, though not the two leads. The actress who plays Elmas' mother-in-law said whhen she read the script, she thought that this was the best discussion of female sexuality in a Turkish movie. The sex scenes aren't just surprisingly frank in the case of Shenaz (with Elmas, who does not want to have sex, the camera stays on her agonized face, and later goes with her to the restroom because the aftermath is also very painful to her), but always make a character point. In the Q & A the director was asked whether the movie could be shown like this in Turkey, and she answered she had to cut around two minutes for the general release version (though she was allowed to show the full length in Turkish festivals), which since she knew this would happen in advance she could do without taking away the meaning from the scenes in question. Mostly the general release cuts avoided the full nudity of the complete version. Since the only Muslim women showing up in Western media tend to wear headscarfs and/or hijabs, in short, live Elmas' life, I suspect the fact that Shenaz is sucessful in her profession, has unmarried sex and enjoys wine when dining with her boyfriend (who does the cooking) would be as startling as the sex and the nudity if this movie gets a release in the US or Europe. At the same time, there's the awareness that Erdogan's government and party is doing its best to make Elmas, not Shenaz' life more common again in Turkey, and that subtext is also there if you're sitting in the audience watching this film.

Shenaz is played by Funda Eryigit, Elmas by Ecem Uzm, and they're both delivering terrific performances. In the Q & A, Ms. Ustaoglu mentioned that the incredible scene in which Shenaz gets Elmas to roleplay a dream she has (which finally allows Elmas to vocalize the pain in her life) needed only two takes, one for Elmas, one for Shenaz, that the actresses were that good. And having seen this movie, I believe it.

Doctor Who 10.11.

Jun. 25th, 2017 08:55 am
selenak: (Missy by Yamiinsane123)
[personal profile] selenak
In which whoever did the trailer after the last episode should not do so again, since it already gave away the two key twists, but even so, this was a suspensful and good first part - may the second one live up to it.

Read more... )
musesfool: lester bangs on rock'n'roll (music)
[personal profile] musesfool
So this week's AV Club Q&A is favorite one hit wonders (though certainly the definition of "one hit" is...elastic, and dependent in many cases on where you live), and more than a couple of songs I love got mentioned and then I ended up departing from that original premise and going on a youtube spiral of music from my teenage years, a lot of which I hadn't heard in decades probably (and some of which is still in regular rotation on my iPod, though I left out most of the usual suspects), but here are some gems:

- Let Me Go - Heaven 17
- Hit That Perfect Beat - Bronski Beat
- Don't Go - Yaz
- Love to Hate You - Erasure
- Obsession - Animotion
- West End Girls - Pet Shop Boys
- Tenderness - General Public
- I Melt With You - Modern English
- Whisper to a Scream - Icicle Works
- Cruel Summer - Bananarama
- Voices Carry - 'Til Tuesday
- Forever Young - Alphaville
- What Do All the People Know? - the Monroes
- Heart and Soul - T'Pau
- If You Leave - OMD
- Question of Lust - Depeche Mode
- The Promise - When In Rome
- True - Spandau Ballet
- Hold Me Now - Thompson Twins
- No One Is to Blame - Howard Jones
- Don't Dream It's Over - Crowded House

***

the struggle is real

Jun. 24th, 2017 07:02 am
kareila: a sea turtle with the text "all the way DOWN" (turtle)
[personal profile] kareila
Continuing to have trouble setting aside time to focus on work with the kids home for the summer.

After taking my mom to her doctor appointment and subsequent errands on Tuesday, I spent most of Wednesday through Friday sick in bed with a fever and sore throat, but no other obvious symptoms. Now I'm finally feeling better, and Robby has decided that since Tropical Storm Cindy's gift of some ridiculous number of inches of soaking rain will prevent him from doing his usual maintenance out at our church this weekend, this is the best time to disrupt the downstairs living area and try to finish constructing Connor's loft bed.

If I didn't have to take the kids to swim lessons today, I'd probably flee to the library and try to get some serious work done. Maybe that strategy will work next weekend, if I can find someplace to go that isn't closed for the holiday.

In other news, Steam is having their annual sale and I've discovered that most of their older LEGO games (pre-Marvel) are PC-only. I really wanted to put the Harry Potter games on my laptop so that I could play them without broadcasting them to the rest of the household. There's also a PC game that Connor wants that is too resource intensive for his poor old gaming PC. But I read on Twitter last night that Starship Titanic is on Steam for $1.49, so I'll get that if nothing else. I've been wanting to play it again ever since I saw Passengers.

I'm also realizing how much cheaper and easier to find the PlayStation 4 is compared to the Nintendo Switch, and that's probably also the better platform to choose if I want to play Kingdom Hearts 3, assuming it ever gets released.

Chapter Update: Celluloid Hero

Jun. 23rd, 2017 09:37 pm
gwyn: (steve rogers shield)
[personal profile] gwyn
Celluloid Hero (29728 words) by gwyneth rhys
Chapters: 6/?
Fandom: Captain America (Movies), Marvel Cinematic Universe, Golden Age Hollywood Actors
Rating: General Audiences
Warnings: No Archive Warnings Apply
Characters: Steve Rogers, Bette Davis, John Garfield, USO Tour Dancers (Marvel), Original Characters, Barbara Stanwyck, Gene Tierney, William Powell, Cary Grant, Randolph Scott, Jack Warner, Delmer Daves, Ida Lupino, Hedy Lamarr
Additional Tags: Golden Age Hollywood, Hollywood Canteen, World War II, The Star-Making Machinery, Propaganda, someone's going to get his V-card punched, and by someone I mean Steve, Letters, Minor Bucky Barnes/Steve Rogers, First Motion Picture Unit, Pining Steve, Period Typical Everything
Summary:


The talk of the town last night was Captain America’s star-spangled appearance at the Hollywood Canteen, where the ladies swooned and the gentlemen cheered. Rumor has it he will be meeting with studio heads to discuss bringing his patriotic man with a plan to the silver screen.



Chapter 6 finally posted! In which Steve doesn't do well at his own premiere, learns how to play the Hollywood game, gets to know Ida Lupino and Hedy Lamarr, and receives a very important envelope.

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elz

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